21CF Flashback: 31 years ago, 21CF (then News Corp) buys first half of 20th Century Fox Film

On March 20, 1985, News Corporation Limited announced that it had agreed to purchase 50 percent of TCF Holdings Inc., which owned 20th Century Fox Film Corporation, for $162 million. As part of the deal, News Corporation loaned $88 million to TCF.

This purchase was 21CF’s first foray into the entertainment business, setting the company on a path to become the global force in film, and later television, that it is today. The 50 percent stake in TCF Holdings was followed by the company’s acquisition of the remaining half later that same year, giving 21CF full ownership of 20th Century Fox Film.

“This is a significant investment for The News Corporation in its development as an international multi-media organisation,” Rupert Murdoch said in the announcement.

“I am extremely happy to have Rupert Murdoch and his company as my partner,” said Marvin Davis, who bought 20th Century Fox Film in 1981 with financier Marc Rich for $725 million. “Mr. Murdoch is a proven entrepreneur and I look forward to a long and fruitful association.”

Below are photos of the press release and News Corporation announcement of the deal. See the Variety story written at the time for more details about the historic acquisition.

 

Watch the world’s first Easter egg hunt on ‘Ice Age: The Great Egg-Scapade’ (Sunday, March 20, 7:30/6:30c on FOX)

The world’s first Easter egg hunt will be televised on Sunday, March 20, when FOX airs the new animated special “Ice Age: The Great Egg-Scapade.” The special, which will air at 7:30/6:30c, features Scrat, Manny, Sid, Diego and other “Ice Age” characters along with special guests. An exclusive sneak peek at the upcoming film “Ice Age: Collision Course” will air during the special.

Featured guest voices for “Ice Age: The Great Egg-Scapade” include Taraji P. Henson, Seth Green, Wendy Williams, Gabriel Iglesias, Lili Estefan and Blake Anderson. They’ll join the “original herd,” which includes Ray Romano, John Leguizamo, Denis Leary, Seann William Scott, Josh Peck, Keke Palmer and Queen Latifah.

The story begins when a mother bird entrusts her soon-to-hatch egg to Sid, who ends up seeing his egg-sitting business boom. But when pirate bunny named Squint steals, camouflages and hides the eggs Sid is supposed to watch, trouble ensues and the herd comes to the rescue.

During “Ice Age: The Great Egg-Scapade,” viewers will be treated to an exclusive sneak peek at “Ice Age: Collision Course,” which premieres in theaters Friday, July 22.

“Ice Age: The Great Egg-Scapade,” a production of 20th Century Fox Animation and Blue Sky Studios, arrives on Digital HD the day after it airs on FOX at iTunes, Google Play, Vudu, Amazon Video, Sony Playstation Store, Microsoft Movies & TV and MGo.

The “Ice Age” special airs Sunday, March 20, at 7:30/6:30c, followed by the live musical event “The Passion.”

Go to the official “Ice Age: The Great Egg-Scapade” page for an online game, printable games, a gallery and more. Connect with “Ice Age” on Facebook, Twitter and Instagram to stay up-to-date and access exclusive content.

FOX’s ‘New Girl’ airs its 100th episode Tuesday, March 8, at 8/7c

“New Girl” introduced the world to a heartbroken Jess Day and her three single male roommates when the show premiered in September 2011. On Tuesday, March 8, at 8/7c, FOX’s hit comedy series starring Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris and Hannah Simone will air its 100th episode.

Gary Newman and Dana Walden, Fox Television Group chairmen and CEOs, recently stopped by the FOX lot studio to celebrate the 100th episode with the “New Girl” cast, crew and creators. Here are some photos from the festivities:

Photo credit: Frank Micelotta/FOX
Liz Meriwether (creator and executive producer), Gary Newman (Chairman and CEO, Fox Television Group), Katherine Pope (executive producer) and Dana Walden (Chairman and CEO, Fox Television Group) at the “New Girl” 100th episode cake-cutting and champagne celebration.

Photo credit: Frank Micelotta/FOX
Gary Newman (Chairman and CEO, Fox Television Group), Zooey Deschanel and Dana Walden (Chairman and CEO, Fox Television Group) at the “New Girl” 100th episode cake-cutting and champagne celebration.

Photo credit: Frank Micelotta/FOX
Lamorne Morris, Hannah Simone and Zooey Deschanel at the “New Girl” 100th episode cake-cutting and champagne celebration.

Photo credit: Frank Micelotta/FOX
Jake Kasdan (executive producer), Katherine Pope (executive producer), Dave Finkel (executive producer), Brett Baer (executive producer), Lamorne Morris, Dana Walden (Chairman and CEO, Fox Television Group), Zooey Deschanel, Liz Meriwether (creator, executive producer), Gary Newman (Chairman and CEO, Fox Television Group), Hannah Simone, Jake Johnson and Max Greenfield at the “New Girl” 100th episode cake-cutting and champagne celebration.

 

In tomorrow night’s all-new episode of “New Girl,” titled “Goosebumps Walkaway,” Jess returns from jury duty, Reagan (played by Megan Fox in a five-episode story arc) prepares to move out, and Winston and Cece help Schmidt overcome his fear of public dancing.

New Girl,” produced by 20th Century Fox Television, airs Tuesdays at 8/7c on FOX. Follow the show’s Facebook, Twitter, Instagram and Pinterest accounts to stay in the know and get exclusive behind-the-scenes content.

 

Thoughts from ICANN 55 in Marrakech: Accountability is the watchword for 2016 and beyond

Christopher Wilson is vice president of government affairs at 21st Century Fox.

Having just returned from the ICANN 55 meeting in Marrakech, Morocco, I can attest that the overwhelming attention of attendees was on ICANN’s future. The meeting was a watershed meeting in the organization’s history, as it was during this time that the ICANN community and the ICANN Board agreed to a comprehensive set of accountability reform proposals to be sent to the U.S. government for final approval before the last ties between ICANN and the U.S. government are cut this fall. In light of this, 2016 will arguably be the most important in ICANN’s history.

Under the management of a new CEO, Goran Marby, ICANN will soon be embarking on a new chapter in its history as it goes out on its own free from U.S. government oversight, a topic I discussed on a panel this morning at the Information Technology & Innovation Foundation. And as is the case with any young adult breaking away from his or her parents, such independence brings additional responsibility. In this vein, 2016 will serve as the starting point for the implementation of new accountability mechanisms within ICANN – mechanisms that empower the multi-stakeholder community to ensure ICANN works for it and not the other way around.

Born in the mid-1990s, the commercial Internet is close to reaching the “age of majority.” Alongside the commercial Internet’s development and growth has been that of ICANN, which was created in 1998. Indeed, ICANN is where the commercial Internet, for all intents and purposes, begins.

It is for this reason that 21 Century Fox takes seriously how ICANN is accountable to businesses that rely on a safe, secure, reliable, and trustworthy Internet to engage in expression and commerce. Whether it’s general policy or other matters within ICANN that greatly affect our business model, such as mitigating Domain Name System abuse, 21st Century Fox is a leading voice among likeminded companies at ICANN. This level of engagement will certainly continue this year, as vitally important policy matters will be discussed, including the next-generation Registry Directory Services, application of all Rights Protection Mechanisms for all gTLDs and the use of ICANN’s gTLD auction proceeds.

As Chair of ICANN’s Business Constituency, I know that the general concerns 21st Century Fox has with ICANN remaining accountable to its community are shared by businesses large and small all over the world. Indeed, these concerns were expressed before and during the ICANN 55 meeting and they resonated.

However, notwithstanding the hard work done to finalize an accountability reform proposal that has now been submitted to the U.S. government for review, much remains to be accomplished.

To learn more about the accountability reform work underway, please see ICANN’s Stewardship and Accountability page.

Cultural themes that drive FOX Broadcasting’s marketing in 2016

Angela Courtin is EVP and Chief Marketing Officer at FOX Broadcasting.

In today’s convergent world, technology impacts every aspect of how we reach our audiences – everything from the when to the where. Despite the inhuman quality of technology, the data it yields provides us greater visibility into the very human elements of our audiences’ lives and, most importantly, their hearts. This is where the battle for attention is really fought and we win when our audience moves from a collection of rating points to a collection of fans.

The battlefield is simply culture. We therefore must operate at the speed of it –understanding the what’s and the why’s. Storytelling mirrors what is happening in culture and is also a predictor for what might lie ahead. As a marketer, we must take our cues from culture to adapt our thinking to better inform our campaigns.

After partnering with a cultural anthropologist to explore what themes are resonating the loudest for our industry, we landed on the following cultural themes to embrace in our day-to-day work: changing power structures, technology and human difference.

Changing power structures

Changing power structures is inextricably linked to technological change and its championing of the decentralization of information. It can be attributed to decreased religiosity, which leads to moral complexity (as opposed to the traditional binary good vs. evil). In this moral complexity has risen the anti-hero, a persistent theme in storytelling. It brings forth discussions of survival at any cost, wealth creation and distribution, communal vs. structured governance, etc.

Marketing shows that touch on these themes must strike a balance of morality, humility, power and judgment, as seen in “Lucifer,” “Wayward Pines” and “Empire.” For Lucifer, we used a combination of technology and pithy quips to dynamically respond to cultural events from the State of the Union to the Oscars nominations, sporting events to political debates. We did this across social platforms like YouTube and Twitter and on digital billboards in Times Square.

 

“Marketing shows that touch on these themes must strike a balance of morality, humility, power and judgment, as seen in ‘Lucifer,’ ‘Wayward Pines’ and ‘Empire.'” – Angela Courtin

 

Technology

Technology is an obvious one. We experience how mobility, access and social exchange influence our lives on a daily basis. The way in which our content is consumed forces us to explore the idea of “brand.” Is our brand a collection of smaller brands (our individual intellectual property), and how does that ladder up to our parent brand (network)?

We are also trying to keep up with the speed at which our audiences are reporting on their experiences with our content. While reviews by professionals are still important, our fans are telling each other and us what’s working instantaneously. How are we harnessing that exchange to socialize the best content dynamically in our marketing to increase consumption across platforms and windows?

Human difference

The theme of human difference impacts the very fundamentals of marketing. We’ve always targeted people by age, sex and race; in today’s world, where ideas of gender and race are more fluid, we have to really understand why specific types of people are drawn to specific types of content, and then identify patterns from those connections.

We sometimes call this psychographic or mindset profiling, but it’s essentially a manifestation of identity – whom we believe ourselves to be. If we combine this with technology and data, we begin to build communities of fans that can be found in discrete environments and reach them with individual messages.

Different roles, same goal

Marketing has traditionally been a discipline that is part art, part strategy. We interpret the language of culture to create messages that resonate. In order to do that more effectively in today’s world, our role has evolved to include technologist, anthropologist, data analyst and community scientist.

But the goal remains the same: connecting audiences to our content at scale.

‘The People v. O.J. Simpson: American Crime Story’: Why the O.J. trial is as relevant as ever

Brad Simpson is the executive producer of “The People v. O.J. Simpson: American Crime Story,” which premieres Feb. 2, at 10 p.m. EST on FX.

When we started writing “The People v. O.J. Simpson: American Crime Story,” we asked ourselves, “Why is this case relevant today?” Part of the initial answer was that the O.J. Simpson trial was the start of something new: the birth of the 24-hour news cycle and the rise of celebrity culture. During the trial, the soap operas were shut down for a year and people discovered that they loved the drama of real life better than a fictional story. Kato Kaelin is arguably the first reality TV star, and the case is the first time America heard the name Kardashian. 

But as we prepared for our premiere, the relevance of “The Run of His Life: The People v. O.J. Simpson,” Jeffrey Toobin’s main theme suddenly entered the headlines again as protests erupted over police misconduct in Ferguson, Missouri, and around the country. Jeffrey’s book – and our series – is about the role race played in the trial. The Bronco chase, watched by 100 million people, brought America together, but the verdict tore America apart. The news was filled with images of black audiences cheering for O.J.’s acquittal, while white audiences fumed with anger. Neither side could understand the other. The case shone a spotlight on a problem that is always with us but not always visible: that your experience with and view of the justice system and the police is different based on the color of your skin and your economic status.

The O.J. trial’s relevance today

More than 20 years later, the themes O.J.’s trial brings up are just as relevant. But we couldn’t have known that we would experience a racial earthquake similar to the Rodney King beating and subsequent riots right as we shot our show. Suddenly, the series became alarmingly relevant. The O.J. case doesn’t feel so historic, even though it was actually so long ago.

As we edited, the country became obsessed with true crime stories. “The Jinx,” “Serial” and “Making a Murderer” were all massive successes. There are times when people are obsessed with justice – when the bad guy gets put in prison and everything works out just right. But right now, people are obsessed with injustice and the ways in which the system might be broken. That’s certainly what you see in “The Jinx” and “Making a Murderer,” and there’s no question that’s the perception when looking back on O.J.

Wherever you stand on O.J.’s guilt or innocence in the murders of Nicole Brown and Ron Goldman – and according to polls, a majority of the country thinks he’s guilty – nobody thought after the Bronco chase that O.J. would walk free. Black or white, everyone thought he was going to prison. We hope the show helps everyone understand the verdict – and the polarized reaction to it.

Human characters

For years, when I mentioned I was working on a show about the O.J. trial, I would hear two things: First, I would hear where people were during the Bronco chase. It’s a defining moment for the people who lived through it. As with the Kennedy assassination, America stopped. We all watched the chase together.

The second thing I would hear was whom people hated during the trial. Everyone who watched the trial was frustrated by at least one player. Again and again I would hear, “I hated Marcia Clark,” “I hated Chris Darden,” “I hated Johnnie Cochran.” Our hope for the show is that we can turn some of those feelings on their head. Our series humanizes the real-life people who went through this trial. We hope that if you hated one of our characters during the trial, you will watch our show and know what it was like to walk in their shoes. There was so much more going on than what we saw on TV.

Looking ahead

I am enormously proud of what we’ve been able to do in turning the O.J. story into an anthology series launching the “American Crime Story” franchise. It really is the ultimate crime story in America, and it arrives during a sort of Golden Age for anthology television that features “Fargo,” “American Horror Story” and “True Detective.”

We’ll be exploring a different crime every year, expanding on the idea of what crime is and examining the before and after. Our next one will be about Hurricane Katrina – the crime being the lack of preparation in permitting the levies to fail and the lack of response in the aftermath. We’re excited about what this franchise can be.

Read Brad’s previous post about how “The People v. O.J. Simpson” was made.

Read more about “The People v. O.J. Simpson: American Crime Story” and follow the show’s Twitter and Facebook accounts for exclusive content. The limited series premieres Feb. 2, at 10 p.m. EST on FX.

 

FOX’s Dana Walden and Gary Newman honored as National Champions for Children at the Alliance for Children’s Rights Annual Dinner

Fox Television Group chairmen and CEOs Dana Walden and Gary Newman were presented the National Champion for Children Award at the Alliance for Children’s Rights’ 24th Annual Dinner on Thursday, March 10. Dana and Gary were honored for their efforts to advance the lives of at-risk children, fight poverty and improve access to healthcare. These are key goals for the Alliance, which provides free legal services and advocacy to protect the rights of impoverished, abused and neglected children and youth.

In his remarks at the dinner, Gary reflected about his upbringing by parents who made sure their children were provided the education, health and opportunities they needed. “The way that kind of upbringing sets you up for success in life is something many of us take for granted,” he said. “And that’s put into sharp relief when you hear the stories of the thousands of children supported by the Alliance – kids who are so vulnerable, who have virtually no support system, who haven’t been placed on that same path to success, which is why it’s so important that we support the mission of the Alliance to take kids in the most at-risk environments and offer support, guidance and opportunity to find homes, educational assistance, healthcare and mentoring. The Alliance fulfills the role of a loving parent and it is inspiring and humbling to witness it.”

“Getting to know more about the work of this organization has given me the opportunity to appreciate how lucky I am to have such a loving and supportive family,” said Dana in her remarks. “My parents, Sheril and Bob Freedman, are here tonight. My dad told me since I was a very young executive to take risks and believe in myself – never worry about failure because I have a safety net. I remember him saying many times, ‘Your mom and I will always be here for you. You have a net.’ Those words resonate very strongly with me now that I’m a parent.”

Dana acknowledged Janis Spire, the Alliance’s president and CEO; and Nora Gilbert-Hamerling, special events manager for the Alliance’s Development Department, for their work providing a safety net for thousands of children in the Los Angeles community. “The Alliance is a blessing for so many, and I am honored to support your mission.”

The Annual Dinner unites prominent people in the entertainment industry for the Alliance’s largest fundraiser of the year. At this year’s dinner, Richard Martinez, superintendent of the Pomona Unified School District, was also honored with the Francis M. Wheat Community Service Award.

Seth MacFarlane, a 2016 sponsor and member of the Alliance’s honorary committee, presented Dana and Gary with their award; John Stamos, star of the FOX show “Grandfathered,” was the master of ceremonies for the evening; and singer-songwriter and “Empire” guest star Ne-Yo performed at the event, which raised a record $1.56 million for the Alliance.

Fox Networks Group Chairman and CEO Peter Rice and 21st Century Fox Executive Vice Chairman Chase Carey are honorary co-chairs of the Alliance.

The Alliance for Children’s Rights has served 125,000 children since 1992, providing them with permanency through adoption and legal guardianship, access to healthcare and an equitable education. To learn more about the organization and see how you can support their mission, go to its website.

FX’s critically acclaimed spy drama ‘The Americans’ returns for Season 4 on March 16

FX’s hit drama “The Americans” is making its Season 4 premiere tonight at 10 p.m. EDT/PDT. The first episode of the new season is titled “Glanders” and will pick up where last season’s finale ended.

“The Americans” centers on the complex marriage of two KGB spies posing as Americans in suburban Washington, D.C., in the 1980s. Matthew Rhys and Keri Russell star as Philip and Elizabeth Jennings, whose arranged marriage faces many trials as a result of the network of spies and informants under their control during the Cold War. At the start of this season, the couple has to grapple with the KGB’s desire to pull their 14-year-old daughter into the family business, among other complications.

“The series has cemented it status with critics as television’s best current drama and arguably the best show on TV, and we couldn’t agree more,” said Nick Grad, president of original programming for FX Networks and FX Productions, when the Season 4 order was announced last year.

“It’s been a once in a lifetime opportunity to make a show like this with the immensely talented and immeasurably supportive team at FX and Fox 21 Television Studios,” said series creator Joe Weisberg and executive producer Joel Fields. “We are blessed with an extraordinary cast and crew and grateful that we’ll all be able to continue telling this story that we love so much.”

Alongside Matthew and Keri, “The Americans” stars Holly Taylor, Keidrich Sellati, Alison Wright, Richard Thomas, Noah Emmerich, Annet Mahendru, Lev Gorn, Costa Ronin, Margo Matrindale, Frank Langella and Susan Misner. Graham Yost, Darryl Frank and Justin Falvey are the executive producers, while Chris Long is an executive producers and director.

Learn more about “The Americans” on the show’s website, where you can acquaint yourself with each character and access video clips, photos and merchandise. Connect with the show on Twitter and Facebook to stay up-to-date and see exclusive content.

Season 4 of “The Americans” kicks off with “The Glanders” on March 16, at 10 p.m. EDT/PDT. Episodes will be available on FXNOW starting March 17.

Sketch comedy show “Party Over Here” premieres March 12 to bring late-night laughs to your Saturday nights

FOX is getting back into late-night sketch comedy with a new series called “Party Over Here,” which is premiering tomorrow at 11 p.m. EST/PST. The half-hour show is brought to you by executive producers The Lonely Island – or the trio known as Andy Samberg, Akiva Schaffer and Jorma Taccone. Actor/comedian Paul Scheer is also an executive producer and one of the show’s directors.

“Party Over Here” will star comedians Nicole Byer, Jessica McKenna and Alison Rich. The show will feature sketch comedy shorts and in-studio segments filmed in front of a live audience at the Alexandria Hotel in downtown Los Angeles.

“When we first conceived this idea, we thought of it as a spinoff of ‘Empire,’” said The Lonely Island when the show was announced. “We failed miserably…now it’s much more of a sketch comedy show.”

“In an age where most millennials don’t even know what a TV is, we are really excited to be getting into the TV business,” Paul added.

David Madden, president of entertainment for Fox Broadcasting Company, chimed in with less tongue in cheek: “The late-night landscape is wildly competitive, and we thought long and hard about the kind of audacious, attention-getting voices we needed. Andy, Akiva, Jorma, Paul and our three stars – Nicole, Jessica and Alison – are the ideal group of talent to do just that. They’re fearless, original and, of course, very, very funny.”

Party Over Here” premieres Saturday, March 12, at 11 p.m. EST/PST on FOX. Follow the show on Facebook, Twitter and Instagram to stay up-to-date and access exclusive content.

Jill Ratner, EVP of Litigation for Fox Group, is honored at the 2016 Multichannel Wonder Women celebration

At today’s Multichannel Wonder Women celebration in New York, Fox Group EVP of Litigation Jill Ratner was honored as a Wonder Woman. The annual gala luncheon, co-hosted by Multichannel News and the New York chapter of Women in Cable Telecommunications, honors female executives in cable television and communications. This year, 13 Wonder Women were selected by the editors of Multichannel News.

In her speech at the event, Jill talked about her obsession with sports at a young age, which led to her spot on the UCLA women’s soccer team. There she helped found the Committee for Gender Equality in UCLA Athletics, which pushed the university to secure full NCAA Division I status for the women’s soccer team.

“I learned as much off the soccer field as I did on, including invaluable lessons on teamwork, standing up for what I believe in, perseverance and the power of the law,” Jill said in her remarks at the 2016 Wonder Women luncheon at the New York Hilton. “That experience really set the foundation for my career as a litigation attorney. All these years later, I marvel that so many of the lessons I learned through sports years ago are still applicable to the business world and, certainly, to my job.”

Jill joined Fox in 2004 after working as litigation counsel for two law firms. In 2014, she was part of a major U.S. Supreme Court victory stopping Aereo from transmitting over-the-air TV programming on the Internet without the authority of copyright owners.

Read about the Multichannel Wonder Women Class of 2016. To learn more about Jill, read her profile in the Jan. 25 issue of Multichannel News.

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